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Christen Kobke
The View of the Plaster Cast Collection at Charlottenborg Palace
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ID: 02214
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Christen Kobke
1810-1848
Danish
Christen Kobke Galleries
He lived in Kastellet until 1833 and made many paintings of the area. His painting "Gården ved bageriet i Kastellet" (ca. 1832) hangs in the Ny Carlsberg Glyptotek museum in Copenhagen.
In 1832 he shared a studio with friend, landscape painter Frederik Hansen Sødring. He painted a portrait of Sødring which now hangs in the Hirschsprung Collection.
In 1834 he moved, along with his parents, outside of Copenhagen??s fortifications near Sortedamssøen, a lake area. He painted many views overlooking the lake towards the city and the embankments surrounding the city. His work becomes larger, more monumental.
Like many of his contemporary artists he came under the influence of Niels Lauritz Høyen, art historian, who promoted a nationalistic art. Høyen called for artists to search for subject matter in the folk life of their country instead of searching for themes in other lands, such as Italy (which was at that time considered a requirement for an artist??s training). On a visit to Hillerod in 1835 he painted a romantic picture of Frederiksborg Palace, "Frederiksborg Slot ved Aftenbelysning" ("Frederiksborg Palace in the Evening Light").
At the end of 1837 he married Susanna Cecilie Kobke (1810-1849), and shortly afterwards painted a portrait of his young bride.
One of the Small Towers on Frederiksborg Castle, c.1834-35.In 1838 he received a travel stipend from the Academy, left his new wife and traveled over Dresden and Munich to Italy accompanied by decorative painter Georg Hilker. They arrived in Rome by year??s end where he met brother-in-law Frederik Christopher Krohn, sculptor and medallionist, and many other Danish artists. He traveled, along with Constantin Hansen the following summer to Naples, Sorrento, Pompeii and Capri where he painted out in the open air.
He returned home in 1840 with a large collection of sketches for later use and inspiration. Unfortunately, most his later work with these Italian themes was uninspired, and they found little favor. Kobke even considered at the time becoming a decoration painter, having participated in 1844-1845 in the decoration of the Thorvaldsens Museum, a museum dedicated to the artistic works of Bertel Thorvaldsen.
Two years after his father died in 1843 the family sold the property outside Copenhagen, and Kobke moved back into the city. His application for admission to the Academy, which was accompanied by one of his failed Italian landscapes, was rejected in 1846. He died in 1848 of pneumonia, and is buried in Assistens Kirkegard.
Kobke, a national romantic, painted portraits, landscapes and architectural paintings. Most of Kobke??s portraits show friends, family members and fellow artists. He found most of his motifs in his immediate surroundings. Now he is recognized internationally for his well composed and harmonic paintings, for their coloristic qualities and for his sense of the everyday life. But in his lifetime he was almost forgotten, especially because of his early death and limited production. Despite his talent and the praise of various contemporaries, Kobke had never been inundated with commissions.
Kobke is recognized today as one of the most talented among Denmark??s Golden Age painters and the most internationally renowned Danish painter of his generation. The painterly interpretations he made of his surroundings stand as highpoints of the period.
His works are in the collections of not only Danish museums but also such international museums as the J. Paul Getty Museum
Related Paintings of Christen Kobke :. | View of Osterbro from Dosseringen | Autumn Morning on Lake Sortedam | The Forum, Pompeii, with Vesuvius in the Distance | The North Gate of the Citadel | The View of the Plaster Cast Collection at Charlottenborg Palace | Related Artists: Fernando Gallego(c. 1440 - 1507) was a Spanish painter, brought up in an age of gothic style, his art is generally regarded as Hispano-Flemish style. It's thought that he was born in Salamanca, Spain, and his first known works were in the cathedrals of Plasencia and Coria, in Ceres (Spain). Leon Augustin Lhermitte(1844 - 1925) was a French realist painter and etcher whose primary subject matter was of rural scenes depicting the peasant worker.
He was born in Mont-Saint-Pere. A student of Lecoq de Boisbaudran, he gained recognition after his show in the Paris Salon in 1864.
His many awards include the French Legion of Honour (1884) and the Grand Prize at the Exposition Universelle in 1889. Lhermitte died in Paris in 1925.
Lhermittees innovative use of pastels won him the admiration of his contemporaries. Vincent Van Gogh wrote that eIf every month Le Monde Illustre published one of his compositions ... it would be a great pleasure for me to be able to follow it. It is certain that for years I have not seen anything as beautiful as this scene by Lhermitte ... I am too preoccupied by Lhermitte this evening to be able to talk of other things.e
Lhermitte's etchings and paintings are housed in museums around the world including Boston, Washington, Chicago, Montreal, Brussels, Rheims, Paris, Moscow and Florence.
Hubert Robert(22 May 1733 - 15 April 1808), French artist, was born in Paris.
His father, Nicolas Robert, was in the service of François-Joseph de Choiseul, marquis de Stainville a leading diplomat from Lorraine. Young Robert finished his studies with the Jesuits at the College de Navarre in 1751 and entered the atelier of the sculptor Michel-Ange Slodtz who taught him design and perspective but encouraged him to turn to painting. In 1754 he left for Rome in the train of Étienne-François de Choiseul, son of his father's employer, who had been named French ambassador and would become a Secretary of State for Foreign Affairs to Louis XV in 1758.
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